Sunday 6 November 2011

Reading journal of act three of Macbeth

Scene one
  • enter Banquo talking about how macbeth has it all now, just as the wierd sisters had promised, but they also promised that Banquo's children would become hiers to the throne; which has now confirmed this.
  • Enter Macbeth and Lady Macbeth dressed as a king and queen and everyone else for the coronation
  • Macbeth refers to banquo as his most important guest to his dinner later, asks him if he is going riding then brings up the subject of malcolm and donalbain fleeing. Macbeth talks about it as if they are the guilty ones. He pushes the blame onto them.
  • when everyone has exited, Macbeth has a silioquoy - he mentions that he is scared of banquo because he is suspicious of him. he was there with the witches. he's clever. His children will be kings.
  • Banquo was wise and took the right path macbeth didn't
  • Macbeth  meets with the murderers he explains to them how banquo has made their life hell and how he is innocent
  • macbeth tells the murderers he hates banquo so much and would kill him himself if they did not have mutual friends so requires the murderers help 
  • he convinves the murderers that banquo is their enemy as well as his and tells them to kill banquo tonight. they accept.
  • macbeth tells them to leave no traces of evidence and to kill fleane too
  • the murderers exit
Scene two
  • opens with Lady Macbeth asking wether banquo has left the court to a servant who replies that he's left but will be back tonight (he will be back in ghost form)
  • She asks to have a word with macbeth and before he enters she talks about how she has what she wanted and is still not happy, how she has spent everything and gained nothing. she says it's better to be the victim than the murderer taunted with anxiety. - guilt, regret, morality
  • enter macbeth, she asks him why he is keeping himself to himself -she's worried, wants to confide
  • he talks about his mental tourture - senseless murder driving him insane - he has to get someone else murder banquo
  • full of scorpions is my mind - animal imigary
  • Lady Macbeth scared of him?
Scene three
  • scene in which the murders kill banquo
  • planning - tension - question of trust
  • choppy dialouge between murders - comparison to lady macbeth and macbeth - panic
  • Banquo is attacked, he shouts to fleance to escape and he gets away
  • Muderers see the son has escaped and decide to go to macbeth and tell them of what has been done
Scene four
  • meal scene, macbeth welcomes his guests and his guests thank him
  • he plays the humble host as does lady macbeth
  • the muderers enter in the middle of the feast and macbeth goes to talk to them - suspicious - he says that they have blood on their face - blood on skin motif again
  • macbeth says he'd rather see blood on his face than blood in banquo's body - he praises them
  • he says fleance has fled and macbeth is worried again, he says everything would have been perfect apart from that
  • he tells him to get out and that he will speak to him again tomorrow, he exits
  • lady macbeth tells macbeth he's not entertaining his guests - distraction, worried, trying to save him from suspition again
  • lennox tells him to take a seat but enter banquo's ghost who sits in his seat - supernatural, enforcing how scared macbeth is of banquo taking his seat (honour)
  • macbeth says to his guests that he hopes banquo is not present due to rudeness and not because something bad has happened to him - playing dumb and innocent again
  • ross tells him to sit but macbeth says the table is full - no one else can see the ghost of banquo but macbeth - insanity, guilt, he is alone
  • he sees the ghost in the seat and first blames some one else for his vision - who did this?
  • no one knows what he's talking about, he goes crazy
  • Lady macbeth tries to explain to everyone else that macbeth is ill and has been since youth - a cover up for his insanity
  • tension in the room, lady macbeth tries to calm macbeth and everyone else
  • the ghost reappears -  his insanity and the things he says infront of his guests give alot away - very suspicious
Scene five
  • the witches meet with a hecat in this scene
  • supernatural
  • reminder of the witches influence

Saturday 5 November 2011

Reading Journal for act two of Macbeth

Scene one
  • darkness, torch, banquo and fleance
  • 'give me my sword! Who's there?' tense atmoshpere in Macbeths castle - the king is going to die
  • Banquo is no longer able to confide in macbeth about the three sisters as he thinks not of them (as he says)
  • dagger speak - macbeth begins to halucinate - guilt driving him insane - 'dagger of the mind'
  • gothic and paranormal visions in the night
Scene two
  • Macbeth kills the king off stage - leaves the death of the king to the viewers imagination - later on in the play more deaths occur on stage - could slowley be revealing more as the play goes on (don't want to give it away all at once)
  • could illustrate how macbeth is at first able to put the killing out of his mind (out of sight, out of mind) but then when we see banquos death later on he goes crazy.
  • Panicy and blunt dialouge between macbeth and lady macbeth - arguing? tension?
  • Macbeth feels increadibly guilty and lady macbeth says 'consider it not so deeply' - she is stronger and more evil - unable to feel guilt
  • macbeth accidently brings the daggers back - first slip up - and lady macbeth has to sort it out.
  • they clean the blood off their hands - blood is a significant motif in the play
Scene Three
  • drunken porter speech - satirical, religious connotations with porter of hell gate - macbeth's castle is now hell
  • porter finally answers the door to macduff and lennox, macduff complains of his late answer and the porter comically comments on the effects of alcohol - desire, lacking sexual performance and needing to urinate
  • Macbeth enters
  • Macduff askes if the king is awake, macbeth says not yet - first cover up, macduff says that the king commanded him to wake him early, macbeth takes him to the king - pretends nothing is wrong - so far macbeth is covering everything up well and not acting at all suspicious
  • macduff exits to wake the king. macbeth and lennox left on stage. lennox speaks about the unruly night - premenition? pathetic fallacy - gothic
  • macduff finds out the king has died and enters shouting horror horror
  • macbeth & lennox both ask what is the matter - macbeth levelling himself with and imitating the innocent
  • macduff tells macbeth and lennox to look for themselves and when they leave ring the alarms and informs everyone the king has died
  • Lady Macbeth enters and pretends she has no idea what is going on, Macduff is reluctant to tell her what has happened because he feels it unfit for her ears. he thinks it will really upset her - dramatic irony, the audience know what macduff doesn't
  • Banquo enters and declares the king has been murdered (he should be the most suspicious of Macbeth because of the incidents with the witches - tension)
  • Macbeth says that it is a sick joke and there is nothing worth living for - except he's going to become king
  • malcolm and donalbain enter and are told that thier father has been killed - donalbains first question - who did it?
  • Macbeth lets slip - he says he killed the guards - why did he not mention this to everyone else before then? why had he been playing dumb? not part of the plan. Sucpision now lies on Macbeth
  • He tries to cover it up and Lady Macbeth Distracts everyone by swooning - dramatic, acting. characters help her out instead of questioning macbeth
  • everyone decided to exit and get dressed then meet back later to discuss leaving malcolm and donalbain on stage
  • Malcolm and Donalbain discuss among themselves - they decide to flee as they are also suspects, suspicious of everyone and likely to be murdered. they take seperate paths - malcolm to england and donalbain ireland - more likely for at least one to survive. quickly made decision - fastly paced scene.
Scene four
  • there is a break in the fast paced scene between the main characters - raise and fall of anxiety
  • dialouge between an old man and ross - they talk about the suspicious happenings of last night - lead to talking about supernatural - horses eating each other - humans killing each other - theme of animal kingdom, death and murder - cannibalism
  • Enter Macduff, they discuss who killed the king, macduff says it was the servants that macbeth killed, then ross comments that they had no motive to
  • Macduff says they were paid to. He says Malcolm and Donalbain are prime suspects as they has fled. Macbeth is lucky - not part of his plan but the suspicion has been shifted onto them.
  • Macbeth has already been named king

Saturday 15 October 2011

How does Shakespeare create mood and atmosphere in act two of Macbeth?

               From the very beginning of act two Shakespeare sets up a mysterious atmosphere. He does this mainly by use of light; Stage directions state that Fleance enters with a torch, already limiting his vision to the light of the torch and suggesting that there is an area of darkness around him in which anything could be happening, it introduces a fear of the unknown. He enters with Banquo and there is an uncertainty of what the time is; ‘I take ‘t’tis later, sir’ which as well as reinforcing the mystery of the night time and darkness it also shows that the characters are awake and restless instead of asleep; could this be mirroring an overall feel of the castle on this night? As an audience we known that Macbeth has just killed the king, however the characters in the play do not know that murder has been committed; as well as putting themselves in danger of running into a murderous Macbeth they are also putting Macbeth in danger of being caught, leaving the audience tense.
               There is then a sinister and gothic atmosphere is created when we see Macbeth hallucinating later in this scene. I think it is important to remember when reading Macbeth that he has just come back from the unimaginable horrors of war; this could be an underlying force driving Macbeth’s insanity. He describes having a ‘dagger of the mind’ and a ‘heat-oppressed brain’ suggesting mental illness. Does this give the audience some leeway to sympathise for Macbeth? Does it set apart Macbeth from the evil Lady Macbeth? Insanity is used in other Shakespeare plays (e.g. King Lear) and is a classic gothic element. Again it is a fear of the unknown, there were so many elements (and still are) of mental health that are not yet understood and Shakespeare uses insanity in this play, and others, as a tool to create a tense and mysterious mood.
               Dialogue between Macbeth and Lady Macbeth is used in act two scene two to create an extremely panicked and anxious atmosphere; there is a section around line 20 when their conversation consists of one word exchanges such as ‘when?’ ‘now’ and ‘Ay.’ ‘Hark!’. This works by creating an anti-flow of speech, there are breaks between when the characters speak which could almost mimic a panting noise, giving a sense of adrenaline and terror. The lack of proper flowing speech in this section could be suggesting how traumatised the characters are by the events, as they are not able to speak properly. Shakespeare has used the dialogue between Macbeth and Lady Macbeth to show a rise in anxiety and perhaps friction between the two characters.
We see Shakespeare use dramatic irony at the beginning of Act one, when the characters Banquo and Fleance know less than the audience by being unaware of the murder that has just occurred. He uses this again later in act two scene three when the murder of the king has been discovered and people do not know (or at least cannot be completely certain) that it was in fact Macbeth who has murdered the king. It is as if we as an audience are keeping the secret with Macbeth and Lady Macbeth and we feel the tension when Macbeth lets slip ‘I did kill them’ when referring to the kings guards. We know along with Lady Macbeth that this was not part of the plan, why did Macbeth just let slip? The audience become engrossed with the pretence and secret and feel the tension that is felt by the couple in this moment in the play.

Thursday 6 October 2011

Reading journal for act one of Macbeth

Act one
  • pathetic fallacy - instant gothic feature - sets the tone of the play
  • witches speak in rhyme, plotting - context: threat of women - threat of magic - we can see this also in faustus - and simillarly in frankenstien - a threat of knowledge
  • they use paradoxes - fair is foul, lost and won
  • as does macbeth - never so foul and fair a day - something not quite right - what at first may seem well will go terribly wrong - sets anxiety - another gothic feature
  • eerie chanting tone
  • short scene - leaves the audience with questions - witches always appear as mysterious - anxiety as they are a threat. not directly - but the audience watch them minipulate
Act two
  • the captain tells the king how courageous Macbeth was at war - glorifying killing in the context of war.
  • Macbeth is described as being ruthless with murder - which is portrayed in a positive but gory way - he chopped up his victims effortlessly - shows how ruthless macbeth is - but it is his job - he has been comanded and trained to be this way - this is what can allow the audience to feel a sympathy for macbeth? he is always being controlled - witches, lady macbeth
  • Banqou is also described as courageous in war
  • The king praises them - oh worthy gentlemen!
  • The king has the traitorous thane of Cawdor put to death and the new title to be given to Macbeth - king mentions 'trust' - this will be his demise
Act three

  • pathetic fallacy again as the witches enter - the audience know they are entering - which builds anxiety
  • they begin by talking about skilling swine and planning revenge - they are as ruthless as men at war - can the audience make comparisons? it could be played this way.
  • eerie chanting tone again - spells - metaphysics (faustus) - was seen as a threat to society
  • a drum beats and the third witch claims Macbeth is coming
  • Banquo and Macbeth enter and are curious as to who and what the witches are
  • The witches hail Macbeth and Banquo, they tell Macbeth firstly he is thane of cawdor (before he has found out) then that he will become king and then they tell Banquo his children will become kings.
  • Macbeth is intrigued asking them to speak more - the witches play with his pride
  • the witches speak in riddles and paradoxes leaving macbeth and banquo confused yet intereasted
  • Banquo tells them they have beards - how would he say this - as a joke?
  • the witches vanish
  • Macbeth and Banquo discuss the encounter focusing on the details of the prophecy
  • They are disturbed by Ross and Angus who come as messengers to the king to tell Macbeth that he has been given the title Thane of Cawdor
  • Macbeth and Banquo are amazed that the prophecy has come true and ponder on wether the other prophecies the witches proclaimed will also become true
  • Macbeth whispers to Banquo that they shall speak privately and Banquo agrees - plotting? 
Act four
  • reports of the execution of Cawdor come to the king from his son Malcolm
  • Macbeth, Banquo, Ross and Angus enter
  • The king thanks Macbeth and Banquo for their heroism
  • Macbeth and Banquo tell the king of their loyalty to him
  • King Duncan announces his plan to make Malcolm next heir to the throne
  • Macbeth notes that this will get in his way
  • Plans are made for the King to dine at Macbeths castle and Macbeth goes to inform Lady Macbeth
Act five
  • scene opens with lady Macbeth reading a letter sent from Macbeth telling her of his new title and his encounter with the three witches.
  • she thinks that Macbeth wants to be king but is too kind to take the steps to become king - she will encourage him.
  • A messenger comes to tell lady macbeth that the king is coming to the castle
  • Macbeths arrives and she and him discuss the arrival of the king 
  • Lady Macbeth begins to plot - she is quick to plot - the audience share their secret - ironic something - audience know more than the actors - which can be anxiety building
 Act six
  • King Duncan and his attendants arrive at the castle 
  • Duncan compliments the castles environment and thanks lady macbeth
  • Lady Macbeth says it's her honour to be hospitable to him - two faced - secrets - we see lady macbeth as a good actor - able to cover up. but can macbeth?
  • the King wants to see Macbeth
Act seven
  • Macbeth is thinking about assassinating Duncan
  • He worries about the consequences
  • He consideres not killing the king
  • Lady Macbeth enters and when he says he doesn't want to kill the king she calls him a coward - contrast to how he has been described - plays with his pride. - macbeth is easily manipulated
  • Lady Macbeth encourages him to proceed with the murder - comanding him

Thursday 29 September 2011

What are the gothic elements in Act One of 'Macbeth'?

The play starts off in an extremely gothic way, there is ‘Thunder and lightning’ a classic example of pathetic fallacy presenting ominous sounds and a dark tone to kick off the play. Three Witches enter and leave as asking questions; what relevance do they have to Macbeth? Why are they planning a second rendezvous? They are mischievous, evil characters that manipulate Macbeth. They represent the supernatural and unknown; a renowned gothic feature. As quickly as the three witches arrive, they disappear, leaving the audience with questions and a fear of the unknown.
When the three witches appear again in scene 3, greeted by thunder once more, one talks of ‘killing swine’ and another talks of plotting revenge on a sailor whose wife wouldn’t share her chestnuts. This conversation between them illustrates how ruthless and murderous the witches are, this can be compared to how ruthless Macbeth acted in war ‘with bloody execution’ the audience start to question whether there are similarities between the evil witches and Macbeth, it’s gives the audience a clue that the witches will entice him and what events will unravel in the play. The theme of death is a huge part of the play and a traditional gothic element. When the witches hail Macbeth it is as if they are on his side and praising him, we question the witches motives at this point; why are they so keen for Macbeth to become king and leave a bloody trail behind him? This gives the audience a further fear of the unknown towards the witches.
Banquo lightens the mood in scene three when he comments on the witches beards, there are different ways the audience can interpret this; he could be showing that he has the power and is not scared of them so makes mean remarks with no consideration for consequences, however he could be doing this because he is actually very scared by the witches and needs to lighten the mood to feel at ease. The fact that the three witches have beards illustrates that they are not traditional well kept females of the time. They have a masculine quality to them in beard form which could be suggesting a power they hold in a patriarchal society. They differ from the norm which is what makes them gothic characters in the play.

Tuesday 27 September 2011

Marxist reading of William Blake's poem "The Chimney Sweeper"

The Chimney Sweeper
 
When my mother died I was very young,
And my father sold me while yet my tongue,
Could scarcely cry weep weep weep weep,
So your chimneys I sweep & in soot I sleep.

Theres little Tom Dacre, who cried when his head
That curled like a lambs back was shav'd, so I said.
Hush Tom never mind it, for when your head's bare,
You know that the soot cannot spoil your white hair

And so he was quiet. & that very night.
As Tom was a sleeping he had such a sight
That thousands of sweepers Dick, Joe, Ned, & Jack
Were all of them lock'd up in coffins of black,

And by came an Angel who had a bright key
And he open'd the coffins & set them all free.
Then down a green plain leaping laughing they run
And wash in a river and shine in the Sun.

Then naked & white, all their bags left behind.
They rise upon clouds, and sport in the wind.
And the Angel told Tom, if he'd be a good boy,
He'd have God for his father & never want joy.

And so Tom awoke and we rose in the dark
And got with our bags & our brushes to work.
Tho' the morning was cold, Tom was happy & warm
So if all do their duty, they need not fear harm.


As demonstrated in many of his poems, William Blake was often concerned about the social difficulties that were presented in his era. He was also suspicious to the power which was connected to the church. Wrote during the times of child labour his poem “The Chimney Sweeper” tells the story of a poor and uneducated boy born into a lower class background whose mother has died early on in his life and his father has sold him on to be a chimney sweeper.
In the first stanza we are already shown the difficulties this boy has faced at an extremely young age, his father has sold him on before he could even talk and Blake illustrates the bad conditions in which he works and sleeps; “in soot I sleep”. By repeating the word “weep” in this stanza he emphasises the stress and depression this young boy is facing.
Boys of the same social class as the narrator are then introduced to the poem. There’s “little Tom Dacre” who has a dream about “thousands of sweepers Dick, Joe, Ned, & Jack” we can assume these boys are all poor and have no family to rely upon, hence they have no choice but to work. Their skills are considered financially unsuccessful and so they are therefore powerless. They are being taken advantage of in a capitalist society.
Religious imagery is used heavily in young Tom Dacre’s dream when an angel opens their coffins and “set them all free” the poem then goes on to depict these boys enjoying a life in heaven strongly contrasted to their previous life as chimney sweepers; the colour black is contrasted with the colour white. The angel represents a religious power which tells tom that if he is a “good boy” and works hard he will be promised a wonderful life in heaven, this mimics the social power in young toms life and what the angel asks of him could be seen to mimic what a capitalist employer would ask of him.
Through the boys dream, Blake condemns the capitalist society by using dramatic irony; the reader knows that Tom’s dream is not a true promise about their future life, but Tom doesn’t understand that so wakes up “happy and warm” ready for a day of work. By criticising the bleak conditions of child labour and by making the reader empathise with the lower class children he attacks and reveals the unfairness of a capitalist society.